Now that we have a basic Drum rhythm, it's
time for the bass line. But before we do
that, let's put in two basic chords for the
riddim or "skank" section so we
can taker a closer look at some things to
consider when constructing a bass line.
Select a Piano and put a chord hit on the
second and fourth count of every bar. In
this instance, we'll use an A and an E
Chord. The A chord contains the A-C-E tones
and the other chord the E-G-B tones. Take a
look (and listen) at the screenshot and mp3
below:
EXAMPLE0013.MP3
You'll probably recognize
the chords as they are used in many riddims.
Let's -for now- just stick with these two
chords. You'll be able to figure out much
more after discovering a few basic
principals which will help you making an
original riddim.
Time for the bass line. Or,
to be more precize: time to discover some
principals to help you make a bass line
yourself.
Of course: you'll need a
decent bass sampleor synth bass. No need for
a special hi-def bass guitar sample of that
specific brand, what you need is a decent
bass guitar or synth sound which you can
find all over the web and usually even in
factory presets. For this example we will
use a standard bass guitar from Reason 3.0
In a lot of musical genres,
the bass guitar basically follows the chords
of the guitar and keyboards. The bass is
more or less an extension of the keyboards
and other chord instruments but in Reggae
Music this is the other way around. The
chords are there to support the bass line.
The bass is the lead instrument and because
of this position, you have a lot of freedom
as you do not have to follow any other
instrument.
In fact, there are just two
things you have to consider: the tempo and
the chords. That is, when you are not
creating your bassline out of nothing. In
this case, we already have a drum rhythm at
140 BPM and two chords so we'll take it from
there.
There are many ways to make
a bass line,and you could call them all
"styles". Some basslines are
melodies where others use perhaps only two
or three different tones. These are all
things that have to do with preference of
the day, feelings and emotions rather than
actual "rules".
One very safe guide is this:
on the 2nd and 4th count of every bar, use a
tone which is also present at the chord
played in the bar. In our example, use
either an A, a C or an E tone on the second
and fourth count of the first bar and either
an E, a G or a B in the second and fourth
count of the second bar. You will always
play a tone that is also played by the
chords instruments (riddim section) and this
simple fact will connect every bass line you
construct with the two chords. In other
words: when you consider this fact, you can
create a million bass lines over just two
chords and they will all sound good, or at
least in tune.
Now, since we have a basic
two drop drums and two chords often used in
Rub a Dub style, let's go a create a simple
but effective line. Connect your bass
sampler to your mixing board and create the
following bass line:
EXAMPLE0014.MP3
As you can see, there's an A
and an E in the first bar on the 2nd and 4th
count, where the second bar has an E on the
2nd count and a B on the 4th. So what you do
is, you play an E sound in both bars, as the
E chord ads well as the A chord both have
that tone contained.
Now we have two bars of our
basic riddim. Let's copy and paste this
three times so we'll have 8 bars. We'll make
little variations afterwards in order to
enlarge the foundation.
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