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Messian Dread

DUBROOM, THE GOSPEL AND REGGAE
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Now, what does this have to do with Reggae Music? When we compare the two different storylines, we see that the history of Reggae and the history of western based Pop Music are really two different stories. Yes, there are many "cross-over" acts in this time, but these can easily be identified as hybrid and not real Roots Reggae. 

It wasn't until Bob Marley died, that cokane created a kind of music on Jamaica now commonly known as Ragga/Dancehall. It wasn't until Dancehall and American Rap merged together, that it became the gunworshipping sexualy immoral style that it now is. Today there is not that much difference between Rap and Dancehall, and the Reggae vibe is only a subtle trademark somewhere in the background.

It is obvious, that the forces behind this transformation of Reggae Culture into becoming another branch of the global culture of gun worshipping sexually immoral known as Rap, whoever they are, had to change the music before they could introduce the audience to such wickedness.

And this fact is of crucial essence!

Reggae Music, because of it's very nature, is evidently unfit to serve as a vehicle of satanically driven forces. Reggae Music, especially Roots Reggae Music can only be played by people who have a certain honousty and openness that you cannot have when you have such evil intentions as the followers of Aleister Crowley's teachings.

Now, what does this all mean as it relates to the Dubroom?

It makes sense, when we combine several aspects we have touched upon in this article so far. 

  • Reggae Music has a history and foundation that is different then that of the global forms of popular music as seen on for example MTV.
  • Reggae Music had to be transformed into a style that has nothing to do with original Roots Reggae before it could be transformed into yet another style: a branch of a global culture that worships guns, sexual immorality and even blatant satanism.
  • The two main Christian responses to the global forms of popular music are either the creation of a parralel universe called the CCM industry or a Biblically based avoidance of such musical styles alltogether.
  • The CCM industry treats Reggae Music as if it has the same roots as that of the global forms of popular music.

Where many see Reggae as just another form of global popular music, they completely disregard the different history of Reggae Music. They don't seem to realize the importance of this difference. And even if they do, then most would still approach Reggae Music as a style of popular music, like Rap or Rock. 

Many people have Reggae in a collection of Rock and Rap, too. When they are Christian, there's a big chance that this collection is a CCM collection. 

Sure, they like Reggae too and so they start looking for "Christian Reggae". And they get confused when they see the Dubroom, where Reggae Music is promoted by a born again Christian. And they wonder: how can a born again Christian promote "secular music"? Isn't a Christian supposed to promote CCM or "Gospel Music"? 

Well, the answer to that is obvious. 

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